Clean drafts. Strong structure. Real voice.
Creative nonfiction editing, narrative development, proofreading, contributor communication, and deadline-aware revision.
Writer • Editor • Communications Producer
I turn interviews, public research, music, and culture into clear stories people can feel and understand.
If your team needs a writer who can move between story, research, interview, public communication, audio, and production without losing the point, this is the lane.
Creative nonfiction editing, narrative development, proofreading, contributor communication, and deadline-aware revision.
Background research, expert interviews, historical context, culture writing, and complex-to-public translation.
Music and audio production, event communications, social promotion, creative scheduling, and public-facing release work.
Current public lanes: Creative Nonfiction Editor at Blood+Honey Literary Magazine; Co-Organizer and Social Media Lead for GonzoFest 2026; freelance writer/reporter with work connected to Blood+Honey, Maudlin House, Country Roads, and L'Observateur; audio engineer and producer with New Orleans studio experience.
Blood+Honey Literary Magazine / GonzoFest 2026
Editing creative nonfiction for clarity, structure, voice, pacing, and reader impact while also helping shape public messaging, contributor communication, and social promotion for a national literary and cultural festival.
Read the Blood+Honey bio →Science, literature, and the Voyager Golden Record
Interview and editorial material built around science writing, public imagination, the Voyager Golden Record, and the work of making cosmic subjects human.
Hunter S. Thompson, editing, and memory
Editorial and interview work connected to Harrell's experience as a Random House copy editor and her long view of literary counterculture.
Photography, journalism, and cultural witness
Feature work in development on a photographer whose archive moves through sports, celebrity, music, and Hunter S. Thompson's world.
A production background matters because it teaches delivery: listen closely, manage the room, keep the files clean, solve the problem, and land the final version.
Editorial roles, university communications, interview-driven features, publication work, music/audio production, and smart collaborative projects.